Design Diary: Munchkinizing Warhammer 40,000

One of the things I've enjoyed most about these past nine years (oof) has been the opportunity to license cool settings and explore their tropes through the cracked lens of the Munchkin game. Without a doubt, one of the richest settings in the game industry is the millennia-long history of the Warhammer 40,000 universe, which has spawned multiple editions of the classic miniatures combat game plus roleplaying and fiction lines. When Games Workshop agreed to let us produce a Munchkin Warhammer 40,000 game, I knew this was going to be one of the easiest and hardest jobs I'd ever taken on.

The thing about creating any licensed Munchkin game is that you have to get it right. Fortunately, I had the help of several able Warhammer 40,000 fans to make sure I didn't make too big an arse of myself. Possibly most important was the Games Workshop team themselves; their suggestions have proved invaluable in improving the game and making sure it has enough of their game's feel to satisfy their long-time fans. My second line of defense was bolstered by our own Ben Williams, a regular Warhammer 40,000 player and nationally recognized miniatures painter, and John Kovalic himself. (You didn't think all those Warhamster jokes in Dork Tower were a coincidence, did you?) With all of these people watching my back, hopefully I didn't screw up too badly.

My first concern was the tone of the game. Warhammer 40,000 is a classic example of a "grimdark" setting – in fact, the tag line on the core book is, "In the grim darkness of the far future there is only war." Munchkin is many things, but "grimdark" is not one of them. Fortunately, everyone involved was eager to see what kind of fun we could have with a Munchkin take on Warhammer 40,000 tropes . . . including having some gentle laughs along with Warhammer 40,000 players about some of their, um, idiosyncrasies.

The first step in writing this game was figuring out the right way to approach the setting. My first thought was a pretty traditional class-and-race approach, but after being assured that non-Human Ultramarines were as impossible as Necron psykers or Ork pacifists, we rethought this approach. Further discussion led to the idea of using Armies instead, which is both unique to Munchkin Warhammer 40,000 and very appropriate for the source game.

At that point, the question became how many and which Armies to include. I knew we wanted some of the non-Human Armies, such as the Aeldari, Orks, and Tyranids. I knew we wanted Space Marines, and ultimately picked the Ultramarines for the set. Once you have Imperial forces, you need Chaos forces, so the Death Guards entered the game. For the last Army, I chose the Necrons because they're just delightfully weird.

Having picked the Armies, the next task was writing Munchkin rules for them that, at least to some degree, reflected how they play in Warhammer 40,000. Once again, I got great advice from my Warhammer 40,000 brain trust, as well as from reading the many Warhammer 40,000 materials kindly supplied by Games Workshop for John's and my reference needs, and here are a couple of examples of Army cards I created with their input:

The Aeldari are an alien race with a very long history of warring with the legions of Chaos. That said, they can't be said to be allies of humanity, either, and in fact have betrayed Imperial forces repeatedly in the past. These traits informed their Army abilities:

  • Ancient Doom: An Aeldari gets a +3 bonus when fighting at least one Chaos monster.
  • Perfidious Eldar: When an Aeldari is helping in combat, they can give the main player two cards to back out of the fight. The main player may ask the remaining players for help.

We already had Orcs as a race in classic Munchkin, and the temptation was to transplant them right into Munchkin Warhammer 40,000 unchanged (other than the spelling). However, in Warhammer 40,000, Orks' strength comes from their overwhelming numbers, so I replaced their Curse-defying power with one that makes them stronger the more Orks are in the game. (Note to self: make sure to add more Ork cards if we publish expansions.) Thanks to Michael Knight at Games Workshop for the "Kunning" spelling.

  • Brutal: An Ork has a combat bonus equal to twice the number of Orks in the game.
  • Kunning: An Ork that wins a combat by 10 or more points goes up an extra level, which can be the winning level.

Keep watching this site for more Munchkin Warhammer 40,000 Design Diaries – we'll be publishing them throughout the months leading up to the game's release!


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